MEHRGARH AND COPPER: METALLURGY AS THE WORLD’S FIRST CRAFT INDUSTRY

Craftsmen working glowing metal beside a clay forge in a village

Nine thousand years ago, in what is now Pakistani Balochistan, men and women were building houses of sun-dried brick, cultivating wheat and barley, raising sheep, goats and zebu cattle, making pottery and burying their dead with care, surrounded by offerings. They lived at Mehrgarh — a city-state that was not yet a city, but which would become the seed of one of the greatest civilizations in human history.

And among their activities, Mehrgarh practised something that no other known culture of the time had mastered: copper metallurgy.

Mehrgarh: the laboratory of the 7 Rivers civilization

In The Civilization of the 7 Rivers, I establish the chronology of this civilization in four major phases. The first — the pre-Harappan phase, from 7000 to 5500 BCE — is represented by Mehrgarh. This is where everything begins.

Mehrgarh is located in the Kachi plain, at the foot of the Bolan Pass that links Balochistan to the Punjab. This pass is one of the most important natural gateways in the entire region — a route of trade, migration and exchange for millennia. It is no coincidence that this is where the first great sedentary culture of this civilization developed.

What the excavations of Mehrgarh — conducted mainly by French archaeologists Jean-François Jarrige and Richard Meadow from 1974 onwards — revealed is astonishing in its precocity and sophistication. Agriculture and animal husbandry were practised there from 7000 BCE. This is one of the earliest traces of agriculture in South Asia, contemporary with the first Neolithic cultures of the Fertile Crescent.

But it is the following discovery that is the most remarkable: Mehrgarh was exporting copper approximately six thousand years ago — that is, around 4000 BCE.

Copper before bronze: a discreet revolution

Copper metallurgy predates the discovery of bronze by several centuries. Bronze is an alloy — copper and tin — whose manufacture requires two conditions: first mastering copper, then finding and transporting tin from its zones of production.

At Mehrgarh, mastery of copper is attested from phase III of the civilization — around 4000 BCE. The artisans of Mehrgarh were making copper beads by cold hammering first, then by smelting. Small objects — pins, bracelets, beads — that travelled to other communities, other sites, other civilizations.

This is what is described in The Civilization of the 7 Rivers as a “copper export” — Mehrgarh was exporting copper about 6,000 years ago. This is not archaeological modesty. It is an extraordinary assertion: people, in the Neolithic age, already mastered a technology advanced enough to smelt, work and trade metal over long distances.

The significance of this discovery is difficult to overstate. Copper is not a local resource at Mehrgarh. It must be sought out — in the mines of the surrounding mountains, in Balochistan, in Afghanistan. It must be extracted, transported, smelted, shaped. Each of these steps requires specialized expertise, an organization of labour, and a network of exchange between communities.

From Mehrgarh to Shortugai: the metallurgical network of the civilization

Centuries later, in its mature urban phase, the 7 Rivers civilization had developed a metallurgical network on the scale of Central Asia.

In The Civilization of the 7 Rivers, I note that the “colony” of Shortugai, in northern Afghanistan, was isolated from the rest of the civilization and supplied it with copper and tin — the two materials indispensable for the production of bronze. This commercial colony — hundreds of kilometres from the great cities of the Indus — was the Afghan link in a metallurgical supply chain that allowed the 7 Rivers civilization to produce and export bronze objects to Mesopotamia, Bahrain and the Arabian Peninsula.

The weights and measures of this civilization illustrate the extent of this network: from Dholavira in Gujarat to Shortugai in northern Afghanistan, from the Ganges to the Indus, they were identical. A metrological standardization across more than one million square kilometres — without a centralized empire, without an army, without a coercive state — that allowed merchants to transport and trade metal, carnelian and textiles with mutual trust and remarkable technical precision.

Copper as craft, not as weapon

One point deserves particular attention. In all the excavations of the 7 Rivers civilization, copper weapons were found — arrowheads, spears, axes, knives. But as I underline in The Civilization of the 7 Rivers, copper blades are aesthetically pleasing, but far from effective as weapons of war. A stone war axe would be far more useful and durable.

The presence of these copper “weapons” very probably indicates that their manufacture dates back to a period before the Bronze Age — a period when societies were still essentially rural, and these objects were more ceremonial weapons or hunting tools than instruments of war.

This is a revealing detail: copper metallurgy in the 7 Rivers civilization was not in the service of war. It was in the service of craftsmanship, trade and daily life. The metal objects found in homes — jewellery, tools, vessels — testify to a craft oriented toward use and exchange, not toward military domination.

What the Rig Veda says about metals

The Rig Veda does not speak explicitly of metallurgy as an industrial technique. But it speaks abundantly of Tvashtri — the celestial smith, the divine artisan — who forges Indra’s thunderbolt, the weapons of the gods, the chariots of the sacrifice.

1.32.4 — When you struck, O Indra, the first-born of the serpents… For him, Tvashtri forged his roaring thunderbolt, the best executed.

Tvashtri is not a marginal figure in the Vedic pantheon. He is the master of form — the one who gives cosmic forces a precise material expression. And this precision — the thunderbolt forged to strike true, the wheel of the chariot that turns without wavering — is the spiritual transposition of a real artisanal skill.

A civilization that elevated the smith to the rank of celestial god, that made technical precision a spiritual metaphor, is a civilization that accorded craftsmanship a value that went beyond the merely utilitarian.

Mehrgarh in world history

To measure the importance of Mehrgarh, it must be placed in the global context of its time.

When Mehrgarh was beginning to smelt copper — around 4000 BCE — the Egyptian pyramids did not yet exist. The wheel had barely just been invented. Sumerian cuneiform writing was in its infancy. And Stonehenge had not yet been built.

Mehrgarh is not a regional archaeological curiosity. It is the documented cradle of a technical innovation that changed the course of human history — metallurgy as an organized, commercial, and intergenerationally transmitted activity.

And this innovation was not born in a context of war or conquest. It was born in an agricultural and pastoral community of Balochistan, which cultivated its fields, raised its herds, and worked metal with the same patience and attention it brought to shaping its pottery.

That may be the deepest lesson of Mehrgarh: the greatest innovations in human history are not born of violence or competition. They are born of patient work, curiosity and exchange.

Hervé Le Bevillon's avatar

By Hervé Le Bevillon

Traducteur du Rig Veda - Je n'ai pas suivi le cursus habituel des sanskritistes du 19 ème et du 20 ème siècles, par contre j'ai bu le soma, et toute la différence est là. Cette traduction m'a permis de comprendre comment était la civilisation dont le rig veda était le livre (oral).

Leave a Reply

Discover more from Sapta Sindhu

Subscribe now to keep reading and get access to the full archive.

Continue reading